Visual art functions here as a lens through which we examine how images, objects, and artistic practices structure interpretations and mediate cultural narratives. We also look at how curatorial choices and interpretive frameworks can shape the narratives that artworks produce.
Spring 2026
Like the core in a dandelion flower — Chus Martínez
A conversation on art, complexity, and the kinds of intelligence that exceed fixed categories and disciplinary boundaries.
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Summer 2026
The Spectator’s Error — asks why we judge AI-generated art through criteria we have already abandoned elsewhere, showing how the evaluative frameworks applied to the new medium reveal more about the observer than the work itself. Through conceptual art, philosophy of mind, and cognitive science, the essay reveals that intention and inner experience are structurally unavailable to external verification in any subject.
The Tacit Made Legible — looks at how our reactions to AI-generated art expose the tacit assumptions behind judgment. Through semiotics, the essay examines how we infer meaning from signs and assign value by assuming an index of origin. As a prelude to the next series, it turns to material engagement theory, where making is distributed across body, tool, and material to reveal that authorship has never been self-contained.